方法2 S-D-R-T-M 镜头—图解—规则—类型—蒙太奇
METHOD 2 S-D-R-T-M SHOT-DIAGRAM-RULE-TYPE-MONTAGE
本章讲述的方法为“镜头—图解—规则—类型—蒙太奇”。首先通过对电影镜头或真实场景的分析，得出电影中某一行为或者电影中事物与事物之间关系的结论。然后用Processing软件对该结论进行模拟分析，将可视化的图形进行归类整理，得出该结论的规则。接着将规则代入到真实场地进行分析，转化生成建筑类型单元。而单元的生成依托于城市空间中的物体，例如，胡同中的自行车、座椅，以及街道中的商店、超市和酒吧。最后通过组构蒙太奇的方式形成建筑或城市空间。
The method described in this chapter is "Shot-Diagram-Rule-Type-Montage". Through the analysis of shots in movies or real scenes, we can conclude certain behavior in movies or the relationship between things in movies. Then we use Processing software to simulate and analyze the conclusion and classify the visual graphics to get the rules of the conclusion. The rules are transformed into building-type units through the analysis of real sites. The generation of units relies on the objects of urban space, such as bicycles and seats in Hutong space, shops, supermarkets, and bars in street space. Ultimately, building or urban space is formed by the way of montage.
Woven Streets
编织街道
刘翔宇、魏灵钊、陈洁
Wake Up Hidden Connection
唤醒隐性关系
孙雨萌、罗佳慧
The Piece Of The World
世界一隅
林颖、黄多多、陈星宇
The Lens And Spaces Segmentation
镜头与空间分隔
贡芳图、李雨欣、戴宏朔、崔怡文
主要过程 MAIN PROCESS
镜头 Shot
镜头最初是指物理意义上的摄影机、放映机的光学部件，后来人们将其描述为电影创作中携带图像内容和故事情节的镜头画面，它是组成电影的基本单位。若干个镜头构成一个片段或场景，而场景的交替则构成了一部电影。镜头可以作为描述和讲述故事的基础，在电影作品的制作过程中，镜头指的是摄像机从开始记录到结束记录所摄取到的画面总和，其在时间的表现上具有一定的连贯性。通过镜头的移、拉、推等动作来完善影像的记录，这种记录叫作长镜头，相对的短镜头则是由多个单独的画面，通过拼接的形式来完成故事的叙述的。
本章以电影中的镜头为出发点，引导建筑设计方案的概念和方向。案例“编织街道”通过对胡同真实场景的镜头分析，得出不同的镜头类别会互相影响的结论，这种影响也会随着环境的改变而改变。案例“镜头与空间分隔”通过对电影镜头的分析，发现电影事件、场景和镜头的选择存在特定的关系，进而引发对镜头和空间关系的思考。
电影镜头不仅可以作为叙事和讲故事的载体，也可以作为建筑设计中的话题点，扩展了建筑设计的思考方向。
Shot originally refers to the optical components of cameras and projectors in physics. Later, they are described as Shot pictures with image content and story plots in film creation. It can be used as the basic unit of film composition. Several shots constitute a fragment or scene, and the alternation of scenes constitutes a movie. Shots can be used as a basis for describing and telling stories. In the process of film production, Shot refers to the sum of the pictures captured by the camera from the beginning to the end of the recording. It has a certain consistency in the performance of time. Perfect image recording by moving, pulling, pushing and rolling the Shot, this technique is called long Shot. The corresponding short shot is a number of separate pictures, through the form of stitching to achieve the narrative of the story.
In this chapter, the shot of the film is taken as the starting point to trigger the concept and direction of architectural design. "Woven Streets" through the analysis of the real scenes in Hutong, it is concluded that different types of shot will affect each other, and the impact will change with the transform of the environment. "The lens And Spaces Segmentation" , through the analysis of film shots, find that there is a specific relationship between the choice of film events, scenes and shots, and then triggers the thinking of the relationship between shot and space.
Film shots not only can be used as a carrier of storytelling, but also as a point of reference in architectural design. It expands the way of thinking in architectural design.