劳拉的原型
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already existing, as magic exists, and death, and as shall exist, from now on, the mouth she made automatically while using that towel to wipe her thighs after the promised withdrawal.

A copy of Glist's dreadful “Glandscape” (receding ovals) adorned the wall. Vital and serene, according to philistine Flora. Auroral rumbles and bangs had begun jolting the cold misty city[.]

She consulted the onyx eye on her wrist. It was too tiny and not

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已然存在,一如魔力的存在、死亡的存在;一如对方如约撤出后,她用毛巾擦着大腿时不由自主做出的嘴形,从今往后也将永远存在。

一幅格利斯的恐怖画作《腺茎图》(消逝中的椭圆)的复制品挂在墙上用作装饰。此处Glist疑为Gleizes之误。文中提到的《腺茎图》(Glandscape)很可能是对法国画家阿尔伯特·格莱兹(Albert Gleizes, 1881—1953)的系列作品《风景》(Landscape)的戏仿。在俗人弗洛拉眼里,这幅画既生机勃勃,又静谧安详。清晨的轰隆声开始在这个雾蒙蒙的寒冷城市沸腾开来。

她看了看自己手腕上的玛瑙眼石,实在太小了,