The History and Practice of the Art of
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第90章 THE NIGHT OF STRANGLERS(2)

"Meet hostility with hostility, ride ruthlessly upon your own way, showing yourself confident of the decision in your favour that the Pope must ultimately give. For bear ever in your mind that you are King of Naples, not by virtue of your marriage with Giovanna, but in your own right, Giovanna being but the offspring of the usurping branch."The pale bovine eyes of Andreas would kindle into something like intelligence, and a flush would warm his stolid countenance. He was a fair-haired young giant, white-skinned and well-featured, but dull, looking, with cold, hard eyes suggesting the barbarian that he was considered by the cultured Neapolitans, and that he certainly looked by contrast with them. Friar Robert supporting the Duke of Durazzo's advice, Andreas did not hesitate to act upon it; of his own authority he delivered prisoners from gaol, showered honours upon his Hungarian followers and upon such Neapolitan barons as Count Altamura, who was ill-viewed at Court, and generally set the Queen at defiance. The inevitable result, upon which again the subtle Charles had counted, was to exasperate a group of her most prominent nobles into plotting the ruin of Andreas.

It was a good beginning, and unfortunately Giovanna's own behaviour afforded Charles the means of further speeding up his game.

The young Queen was under the governance of Filippa the Catanese, an evil woman, greedy of power. This Filippa, once a washerwoman, had in her youth been chosen for her splendid health to be the foster-mother of Giovanna's father. Beloved of her foster-child, she had become perpetually installed at Court, married to a wealthy Moor named Cabane, who was raised to the dignity of Grand Seneschal of the kingdom, whereby the sometime washerwoman found herself elevated to the rank of one of the first ladies of Naples. She must have known how to adapt herself to her new circumstances, otherwise she would hardly have been appointed, as she was upon the death of her foster-son, governess to his infant daughters. Later, to ensure her hold upon the young Queen, and being utterly unscrupulous in her greed of power, she had herself contrived that her son, Robert of Cabane, became Giovanna's lover.

One of Giovanna's first acts upon her grandfather's death had been to create this Robert Count of Evoli, and this notwithstanding that in the mean time he had been succeeded in her favour by the handsome young Bertrand d'Artois. This was the group - the Catanese, her son, and Bertrand - that, with the Princes of the Blood, governed the Queen's party.

With what eyes Andreas may have looked upon all this we have no means of determining. Possibly, engrossed as he was with his hawks and his hounds, he may have been stupidly blind to his own dishonour, at least as far as Bertrand was concerned. Another than Charles might have chosen the crude course of opening his eyes to it. But Charles was too far-seeing. Precipitancy was not one of his faults.

His next move must be dictated by the decision of Avignon regarding the coronation.

This decision came in July of 1345, and it fell like a thunderbolt upon the Court. The Pope had pronounced in favour of Andreas by granting the Bull for the joint coronation of Andreas and Giovanna.

This was check to Charles. His uncle the Cardinal of Perigord had done his utmost to oppose the measure, but he had been overborne in the end by Ludwig of Hungary, who had settled the matter by the powerful argument that he was himself the rightful heir to the crown of Naples, and that he relinquished his claim in favour of his younger brother. He had backed the argument by the payment to the Pope of the enormous sum, for those days, of one hundred thousand gold crowns, and the issue, obscure hitherto, had immediately become clear to the Papal Court.

It was check to Charles, as I have said. But Charles braced himself, and considered the counter-move that should give him the advantage.

He went to congratulate Andreas, and found him swollen with pride and arrogance in his triumph.

"Be welcome, Charles," he hailed Durazzo. "I am not the man to forget those who have stood my friends whilst my power was undecided.""For your own sake," said the smooth Charles, as he stepped back from that brotherly embrace, "I trust you'll not forget those who have been your enemies, and who, being desperate now, may take desperate means to avert your coronation."The pale eyes of the Hungarian glittered.

"Of whom do you speak?"

Charles smoothed his black beard thoughtfully, his dark eyes narrowed and pensive. There must be a victim, to strike fear into Giovanna's friends and stir them to Charles's purposes.

"Why, first and foremost, I should place Giovanna's counsellor Isernia, that man of law whose evil counsels have hurt your rights as king. Next come - "But here Charles craftily paused and looked away, a man at fault.

"Next?" cried Andreas. "Who next? Speak out!" The Duke shrugged.

"By the Passion, there is no lack of others. You have enemies to spare among the Queen's friends."Andreas paled under his faint tan. He flung back his crimson robe as if he felt the heat, and stood forth, lithe as a wrestler, in his close-fitting cote-hardie and hose of violet silk.

"No need, indeed, to name them," he said fiercely.

"None," Charles agreed. "But the most dangerous is Isernia. Whilst he lives you walk amid swords. His death may spread a panic that will paralyze the others."He would say no more, knowing that he had said enough to send Andreas, scowling and sinister, to sow terror in hearts that guilt must render uneasy now, amongst which hearts be sure that he counted Giovanna's own.

Andreas took counsel with Friar Robert. Touching Isernia, there was evidence and to spare that he was dangerous, and so Isernia fell on the morrow to an assassin's sword as he was in the very act of leaving the Castel Nuovo, and it was Charles himself who bore word of it to the Court, and so plunged it into consternation.