第136章 APPENDIX. NOTES ON "THUS SPAKE ZARATHUSTRA" BY ANT

A very important principle in Nietzsche's philosophy is enunciated in the first verse of this paragraph. "The higher its type, always the seldomer doth a thing succeed" (see page 82 of "Beyond Good and Evil"). Those who, like some political economists, talk in a business-like way about the terrific waste of human life and energy, deliberately overlook the fact that the waste most to be deplored usually occurs among higher individuals.

Economy was never precisely one of nature's leading principles. All this sentimental wailing over the larger proportion of failures than successes in human life, does not seem to take into account the fact that it is the rarest thing on earth for a highly organised being to attain to the fullest development and activity of all its functions, simply because it is so highly organised. The blind Will to Power in nature therefore stands in urgent need of direction by man.

Pars. 16, 17, 18, 19, 20.

These paragraphs deal with Nietzsche's protest against the democratic seriousness (Pobelernst) of modern times. "All good things laugh," he says, and his final command to the higher men is, "LEARN, I pray you--to laugh." All that is GOOD, in Nietzsche's sense, is cheerful. To be able to crack a joke about one's deepest feelings is the greatest test of their value. The man who does not laugh, like the man who does not make faces, is already a buffoon at heart.

"What hath hitherto been the greatest sin here on earth? Was it not the word of him who said: 'Woe unto them that laugh now!' Did he himself find no cause for laughter on the earth? Then he sought badly. A child even findeth cause for it."Chapter LXXIV. The Song of Melancholy.

After his address to the higher men, Zarathustra goes out into the open to recover himself. Meanwhile the magician (Wagner), seizing the opportunity in order to draw them all into his net once more, sings the Song of Melancholy.

Chapter LXXV. Science.

The only one to resist the "melancholy voluptuousness" of his art, is the spiritually conscientious one--the scientific specialist of whom we read in the discourse entitled "The Leech". He takes the harp from the magician and cries for air, while reproving the musician in the style of "The Case of Wagner". When the magician retaliates by saying that the spiritually conscientious one could have understood little of his song, the latter replies: "Thou praisest me in that thou separatest me from thyself." The speech of the scientific man to his fellow higher men is well worth studying. By means of it, Nietzsche pays a high tribute to the honesty of the true specialist, while, in representing him as the only one who can resist the demoniacal influence of the magician's music, he elevates him at a stroke, above all those present. Zarathustra and the spiritually conscientious one join issue at the end on the question of the proper place of "fear" in man's history, and Nietzsche avails himself of the opportunity in order to restate his views concerning the relation of courage to humanity. It is precisely because courage has played the most important part in our development that he would not see it vanish from among our virtues to-day. "...courage seemeth to me the entire primitive history of man."Chapter LXXVI. Among the Daughters of the Desert.

This tells its own tale.

Chapter LXXVII. The Awakening.