第31章 VI. NIAGARA.(2)

I am not sure but the first emotion on viewing Niagara is that of familiarity. Ever after, its strangeness increases; but in that earliest moment when you stand by the side of the American fall, and take in so much of the whole as your giants can compass, an impression of having seen it often before is certainly very vivid. This may be an effect of that grandeur which puts you at your ease in its presence; but it also undoubtedly results in part from lifelong acquaintance with every variety of futile picture of the scene. You have its outward form clearly in your memory; the shores, the rapids, the islands, the curve of the Falls, and the stout rainbow with one end resting on their top and the other lost in the mists that rise from the gulf beneath. On the whole I do not account this sort of familiarity a misfortune. The surprise is none the less a surprise because it is kept till the last, and the marvel, making itself finally felt in every nerve, and not at once through a single sense, all the more fully possesses you. It is as if Niagara reserved her magnificence, and preferred to win your heart with her beauty; and so Isabel, who was instinctively prepared for the reverse, suffered a vague disappointment, for a little instant, as she looked along the verge from the water that caressed the shore at her feet before it flung itself down, to the wooded point that divides the American from the Canadian Fall, beyond which showed dimly through its veil of golden and silver mists the emerald wall of the great Horse-Shoe. "How still it is!" she said, amidst the roar that shook the ground under their feet and made the leaves tremble overhead, and "How lonesome!" amidst the people lounging and sauntering about in every direction among the trees. In fact that prodigious presence does make a solitude and silence round every spirit worthy to perceive it, and it gives a kind of dignity to all its belongings, so that the rocks and pebbles in the water's edge, and the weeds and grasses that nod above it, have a value far beyond that of such common things elsewhere. In all the aspects of Niagara there seems a grave simplicity, which is perhaps a reflection of the spectator's soul for once utterly dismantled of affectation and convention. In the vulgar reaction from this, you are of course as trivial, if you like, at Niagara, as anywhere.

Slowly Isabel became aware that the sacred grove beside the fall was profaned by some very common presences indeed, that tossed bits of stone and sticks into the consecrated waters, and struggled for handkerchiefs and fans, and here and there put their arms about each other's waists, and made a show of laughing and joking. They were a picnic party of rude, silly folks of the neighborhood, and she stood pondering them in sad wonder if anything could be worse, when she heard a voice saying to Basil, "Take you next, Sir? Plenty of light yet, and the wind's down the river, so the spray won't interfere. Make a capital picture of you; falls in the background." It was the local photographer urging them to succeed the young couple he had just posed at the brink: the gentleman was sitting down, with his legs crossed and his hands elegantly disposed; the lady was standing at his side, with one arm thrown lightly across his shoulder, while with the other hand she thrust his cane into the ground; you could see it was going to be a splendid photograph.

Basil thanked the artist, and Isabel said, trusting as usual to his sympathy for perception of her train of thought, "Well, I'll never try to be high-strung again. But shouldn't you have thought, dearest, that I might expect to be high-strung with success at Niagara if anywhere?"

She passively followed him into the long, queer, downward-sloping edifice on the border of the grove, unflinchingly mounted the car that stood ready, and descended the incline. Emerging into the light again, she found herself at the foot of the fall by whose top she had just stood.