第17章 III. THE NIGHT BOAT.(4)

We can be as glad, apparently, and with the same reason as the poorly dressed young man standing near beside the guard, whose face Basil and Isabel chose to fancy that of a poet, and concerning whom, they romanced that he was going home, wherever his home was, with the manu of a rejected book in his pocket. They imagined him no great things of a poet, to be sure, but his pensive face claimed delicate feeling for him, and a graceful, sombre fancy, and they conjectured unconsciously caught flavors of Tennyson and Browning in his verse, with a moderner tint from Morris: for was it not a story out of mythology, with gods and heroes of the nineteenth century, that he was now carrying back from New York with him? Basil sketched from the colors of his own long-accepted disappointments a moving little picture of this poor imagined poet's adventures; with what kindness and unkindness he had been put to shame by publishers, and how, descending from his high, hopes of a book, he had tried to sell to the magazines some of the shorter pieces out of the "And other Poems" which were to have filled up the volume. "He's going back rather stunned and bewildered; but it's something to have tasted the city, and its bitter may turn to sweet on his palate, at last, till he finds himself longing for the tumult that he abhors now. Poor fellow! one compassionate cut-throat of a publisher even asked him to lunch, being struck, as we are, with something fine in his face. I hope he's got somebody who believes in him, at home. Otherwise he'd be more comfortable, for the present, if he went over the railing there."

So the play of which they were both actors and spectators went on about them. Like all passages of life, it seemed now a grotesque mystery, with a bluntly enforced moral, now a farce of the broadest, now a latent tragedy folded in the disguises of comedy. All the elements, indeed, of either were at work there, and this was but one brief scene of the immense complex drama which was to proceed so variously in such different times and places, and to have its denouement only in eternity. The contrasts were sharp: each group had its travesty in some other; the talk of one seemed the rude burlesque, the bitter satire of the next; but of all these parodies none was so terribly effective as the two women, who sat in the midst of the company, yet were somehow distinct from the rest.

One wore the deepest black of widowhood, the other was dressed in bridal white, and they were both alike awful in their mockery of guiltless sorrow and guiltless joy. They were not old, but the soul of youth was dead in their pretty, lamentable faces, and ruin ancient as sin looked from their eyes; their talk and laughter seemed the echo of an innumerable multitude of the lost haunting the world in every land and time, each solitary forever, yet all bound together in the unity of an imperishable slavery and shame.

What a stale effect! What hackneyed characters! Let us be glad the night drops her curtain upon the cheap spectacle, and shuts these with the other actors from our view.

Within the cabin, through which Basil and Isabel now slowly moved, there were numbers of people lounging about on the sofas, in various attitudes of talk or vacancy; and at the tables there were others reading "Lothair," a new book in the remote epoch of which I write, and a very fashionable book indeed. There was in the air that odor of paint and carpet which prevails on steamboats; the glass drops of the chandeliers ticked softly against each other, as the vessel shook with her respiration, like a comfortable sleeper, and imparted a delicious feeling of coziness and security to our travellers.

A few hours later they struggled awake at the sharp sound of the pilot's bell signaling the engineer to slow the boat. There was a moment of perfect silence; then all the drops of the chandeliers in the saloon clashed musically together; then fell another silence; and at last came wild cries for help, strongly qualified with blasphemies and curses.

"Send out a boat!" "There was a woman aboard that steamboat!" "Lower your boats!" "Run a craft right down, with your big boat!" "Send out a boat and pick up the crew! "The cries rose and sank, and finally ceased; through the lattice of the state-room window some lights shone faintly on the water at a distance.

"Wait here, Isabel!" said her husband. "We've run down a boat. We don't seem hurt; but I'll go see. I'll be back in a minute."

Isabel had emerged into a world of dishabille, a world wildly unbuttoned and unlaced, where it was the fashion for ladies to wear their hair down their backs, and to walk about in their stockings, and to speak to each other without introduction. The place with which she had felt so familiar a little while before was now utterly estranged. There was no motion of the boat, and in the momentary suspense a quiet prevailed, in which those grotesque shapes of disarray crept noiselessly round whispering panic-stricken conjectures. There was no rushing to and fro, nor tumult of any kind, and there was not a man to be seen, for apparently they had all gone like Basil to learn the extent of the calamity. A mist of sleep involved the whole, and it was such a topsy-turvy world that it would have seemed only another dream-land, but that it was marked for reality by one signal fact. With the rest appeared the woman in bridal white and the woman in widow's black, and there, amidst the fright that made all others friends, and for aught that most knew, in the presence of death itself, these two moved together shunned and friendless.

Somehow, even before Basil returned, it had become known to Isabel and the rest that their own steamer had suffered no harm, but that she had struck and sunk another convoying a flotilla of canal boats, from which those alarming cries and curses had come. The steamer was now lying by for the small boats she had sent out to pick up the crew of the sunken vessel.