第45章 CHILD'S PLAY(2)

According to my contention, this is a flight to which children cannot rise.They are wheeled in perambulators or dragged about by nurses in a pleasing stupor.A vague, faint, abiding, wonderment possesses them.Here and there some specially remarkable circumstance, such as a water-cart or a guardsman, fairly penetrates into the seat of thought and calls them, for half a moment, out of themselves; and you may see them, still towed forward sideways by the inexorable nurse as by a sort of destiny, but still staring at the bright object in their wake.It may be some minutes before another such moving spectacle reawakens them to the world in which they dwell.For other children, they almost invariably show some intelligent sympathy."There is a fine fellow making mud pies," they seem to say; "that I can understand, there is some sense in mud pies." But the doings of their elders, unless where they are speakingly picturesque or recommend themselves by the quality of being easily imitable, they let them go over their heads (as we say) without the least regard.If it were not for this perpetual imitation, we should be tempted to fancy they despised us outright, or only considered us in the light of creatures brutally strong and brutally silly; among whom they condescended to dwell in obedience like a philosopher at a barbarous court.At times, indeed, they display an arrogance of disregard that is truly staggering.

Once, when I was groaning aloud with physical pain, a young gentleman came into the room and nonchalantly inquired if Ihad seen his bow and arrow.He made no account of my groans, which he accepted, as he had to accept so much else, as a piece of the inexplicable conduct of his elders; and like a wise young gentleman, he would waste no wonder on the subject.

Those elders, who care so little for rational enjoyment, and are even the enemies of rational enjoyment for others, he had accepted without understanding and without complaint, as the rest of us accept the scheme of the universe.

We grown people can tell ourselves a story, give and take strokes until the bucklers ring, ride far and fast, marry, fall, and die; all the while sitting quietly by the fire or lying prone in bed.This is exactly what a child cannot do, or does not do, at least, when he can find anything else.He works all with lay figures and stage properties.When his story comes to the fighting, he must rise, get something by way of a sword and have a set-to with a piece of furniture, until he is out of breath.When he comes to ride with the king's pardon, he must bestride a chair, which he will so hurry and belabour and on which he will so furiously demean himself, that the messenger will arrive, if not bloody with spurring, at least fiery red with haste.If his romance involves an accident upon a cliff, he must clamber in person about the chest of drawers and fall bodily upon the carpet, before his imagination is satisfied.Lead soldiers, dolls, all toys, in short, are in the same category and answer the same end.Nothing can stagger a child's faith; he accepts the clumsiest substitutes and can swallow the most staring incongruities.The chair he has just been besieging as a castle, or valiantly cutting to the ground as a dragon, is taken away for the accommodation of a morning visitor, and he is nothing abashed; he can skirmish by the hour with a stationary coal-scuttle; in the midst of the enchanted pleasance, he can see, without sensible shock, the gardener soberly digging potatoes for the day's dinner.He can make abstraction of whatever does not fit into his fable; and he puts his eyes into his pocket, just as we hold our noses in an unsavoury lane.And so it is, that although the ways of children cross with those of their elders in a hundred places daily, they never go in the same direction nor so much as lie in the same element.So may the telegraph wires intersect the line of the high-road, or so might a landscape painter and a bagman visit the same country, and yet move in different worlds.