FAR FROM THE MADDING CROWD
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第55章

He crossed over towards Bathsheba, who turned to greet him with a carriage of perfect ease. He spoke to her in low tones, and she instinctively modulated her own to the same pitch, and her voice ultimately even caught the inflection of his. She was far from having a wish to appear mysteriously connected with him; but woman at the impressionable age gravitates to the larger body not only in her choice of words, which is apparent every day, but even in her shades of tone and humour when the influence is great.

What they conversed about was not audible to Gabriel, who was too independent to get near, though too concerned to disregard. The issue of their dialogue was the taking of her hand by the courteous farmer to help her over the spreading-board into the bright June sunlight outside. Standing beside the sheep already shorn, they went on talking again. Concerning the flock?

Apparently not. Gabriel theorized, not without truth, that in quiet discussion of any matter within reach of the speakers' eyes, these are usually fixed upon it. Bathsheba demurely regarded a contemptible straw lying upon the ground, in a way which suggested less ovine criticism than womanly embarrassment.

She became more or less red in the cheek, the blood wavering in uncertain flux and reflux over the sensitive space between ebb and flood. Gabriel sheared on, constrained and sad.

She left Boldwood's side, and he walked up and down alone for nearly a quarter of an hour. Then she reappeared in her new riding-habit of myrtle-green, which fitted her to the waist as a rind fits its fruit; and young Bob Coggan led on her mare, Boldwood fetching his own horse from the tree under which it had been tied.

Oak's eyes could not forsake them; and in endeavouring to continue his shearing at the same time that he watched Boldwood's manner, he snipped the sheep in the groin. The animal plunged; Bathsheba instantly gazed towards it, and saw the blood.

`O Gabriel!' she exclaimed, with severe remonstrance, `you who are so strict with the other men - see what you are doing yourself'

To an outsider there was not much to complain of in this remark; but to Oak, who knew Bathsheba to be well aware that she herself was the cause of the poor ewe's wound, because she had wounded the ewe's shearer in a still more vital part, it had a sting which the abiding sense of his inferiority to both herself and Boldwood was not calculated to heal. But a manly resolve to recognize boldly that he had no longer a lover's interest in her, helped him occasionally to conceal a feeling.

`Bottle!' he shouted, in an unmoved voice of routine. Cainy Ball ran up, the wound was anointed, and the shearing continued.

Boldwood gently tossed Bathsheba into the saddle, and before they turned away she again spoke out to Oak with the same dominative and tantalizing graciousness.

`I am going now to see Mr Boldwood's Leicesters. Take my place in the barn, Gabriel, and keep the men carefully to their work.'

The horses' heads were put about, and they trotted away.

Boldwood's deep attachment was a matter of great interest among ail around him; but, after having been pointed out for so many years as the perfect exemplar of thriving bachelorship, his lapse was an anticlimax somewhat resembling that of St John Long's death by consumption in the midst of his proofs that it was not a fatal disease.

`That means matrimony,' said Temperance Miller, following them out of sight with her eyes.

`I reckon that's the size o't,' said Coggan, working along without looking up.

`Well, better wed over the mixen than over the moor,' said Laban Tall, turning his sheep.

Henery Fray spoke, exhibiting miserable eyes at the same time: `I don't see why a maid should take a husband when she's bold enough to fight her own battles, and don't want a home; for 'tis keeping another woman out.

But let it be, for 'tis a pity he and she should trouble two houses.'

As usual with decided characters, Bathsheba invariably provoked the criticism of individuals like Henery Fray. Her emblazoned cult was to be too pronounced in her objections, and not sufficiently overt in her likings.

We learn that it is not the rays which bodies absorb, but those which they reject, that give them the colours they are known by; and in the same way people are specialized by their dislikes and antagonisms, whilst their goodwill is looked upon as no attribute at all.

Henery continued in a more complaisant mood: `I once hinted my mind to her on a few things, as nearly as a battered frame dared to do so to such a froward piece. You all know, neighbours, what a man I be, and how I come down with my powerful words when my pride is boiling wi' scarn?'

`We do, we do, Henery.